Beautiful and intelligent minimal perfection

A million Times is an ongoing project that continues the conceptual exploration of one of Humans since 1982’s first collaborative projects The Clock Clock (2008-2010), creating kinetic sculptures that present clocks as art objects unleashed from a solely functional existence. The hands of multiple analogue clocks are programmed to move independently and in formation to perform abstract, dance-like choreographies, before synchronising once each minute to accurately tell the time in a digital typography.

Humans since 1982 was established in 2009 by Bastian Bischoff (b. 1982, Germany) and Per Emanuelsson (b. 1982, Sweden) who met as postgraduate students at HDK Göteborg in 2008. With a diverse and complex practice that traverses art, design and technology, Humans since 1982 defy easy categorisation. Their provocative sculptures and experiential installations are driven by a shared curiosity and desire to make sense of the world.

Signatures within their practice include the elevation and subversion of everyday objects including clocks, smartphones and surveillance equipment, visual puns and the pursuit of obtaining the unobtainable. With equal parts playfulness and meticulous process, industrially produced objects are liberated from their administrative functions to become visually engaging and technically challenging artworks. Their collaboration brings together conceptual exploration with mischievousness and meticulous problem solving to create works that are deceptively minimal, despite the complex methodology behind each piece. Humans since 1982’s practice is centered around the human experience, using technology as a mechanism to explore our motivations and anxieties.

Check out more of their work below